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Museo Judío de Béjar

Béjar, a charming town south of the city of Salamanca, is very well known in the Hebrew world, above all because many Jews bear this city as a surname. Apparently, as Samuel Francés, president of the Bulgarian Jewish community, once told me, it was very common in the Jewish world during the Middle Ages, more specifically among the Sephardim scattered across the planet after the decree of expulsion by the Catholic Monarchs in 1492, to adopt as a surname the city from which the parents and grandparents of those unfortunate descendants originally came. Most of the Sephardim expelled, first from Spain and then from Portugal, settled in the Balkans, North Africa, the Ottoman Empire, the Netherlands, the United Kingdom, and some even reached the Caribbean islands.

As we can read on the pages of the Museo Judío David Melul, “Tens of thousands of people in the world bear the surnames Béjar, Behar, Bejarano, Becerano, or any of the different variations of the name, modified over time and by its use in places with different alphabets and phonetic systems. Many of them are Jews or descendants of Sephardic Jews who left Spain, but who preserved not only the name of their native place, but also the language, the customs, and the affection for a longed-for life that led them to preserve and transmit that intangible legacy during the following five centuries.”

But before continuing with this account, it is worth reviewing the history of this singular institution and the origin of its name. The Museo Judío de Béjar was the initiative of a very singular man, curious, hardworking, and a great philanthropist, David Melul, who, with the help of its current director, Antonio Avilés, gave life to this dream of creating this center of Jewish culture in the heart of the Salamanca mountains.

On the museum’s pages, we found this short biography of Melul, which we reproduce here in translation: “David Melul, creator and patron of the museum that bears his name, was born in Melilla on April 20, 1928. In 1946 he arrived in Béjar to study at what was then called the School of Industrial Experts, today the Higher Technical School of Industrial Engineering of the University of Salamanca. He spent several years in the city and completed his textile engineering studies in Tarrasa. He settled in Barcelona, specifically in the building where the headquarters of the Jewish community was located, on Avenida de Roma. There he met his wife, Adelina Nacmías, with whom he had five children: Daniel, Rafael, Raquel, Mario, and Víctor. It was also in this city that he launched his first industrial projects through a pioneering and innovative textile company focused on household products: Hispano Tex.”

Later, throughout his long life, Melul remained linked to Béjar and visited the city on many occasions, and apparently, “on one of those trips, at the end of the 1990s, he promoted the creation of this museum based on his knowledge of the city’s Hebrew past and on his interest in contributing, through his help, to the dissemination of Jewish culture and history,” as the museum’s website continues to inform us.

THE SECOND JEWISH MUSEUM IN SPAIN, AFTER THE ONE IN TOLEDO

With Melul’s financial support, after he purchased the house where the project is located, and with the invaluable help of the Ayuntamiento de Béjar, the museum opened its doors as the second Jewish museum in Spain, the first and best known being that of Toledo. The museum is spread over three floors, with several sections distributed across them: on the first level the visitor will find information on the history of the Jews in Spain; on the first floor there is a section dedicated to the conversos in Spain after the expulsion; and finally, on the second floor, completing the cycle of those who decided to remain in their faith and leave Spain, there is the section dedicated to the Sephardim. The museum also has a lecture hall, a small library, closed, and a researchers’ room, as well as toilets on the ground floor and a small shop with some objects and books relating to Jewish culture. The place opened its doors for the first time in 2006, and thousands of visitors have already passed through this peaceful space dedicated to our Hebrew roots.

Regarding the beautiful house that hosts this important institution in a city that once had an important and representative Jewish quarter, the museum’s website tells us that it is located in “a manor house from the mid or late fifteenth century, situated within a monumental ensemble made up of the Church of Santa María la Mayor, with a thirteenth-century Mudéjar apse, several interesting bourgeois houses, an old eighteenth-century textile factory with the coat of arms of Charles III on its façade, as well as the glove factory building, dating from the mid nineteenth century.”

Béjar, according to the chronicles and what we have been able to see in the museum, was a city that had an important Jewish quarter during the Middle Ages until, in 1492, the famous edict of the Catholic Monarchs abruptly ended forever that peaceful coexistence among Jews, Christians, and Muslims in what the Sephardim, still today, continue to call Sefarad. The Hebrew presence in this town, known for its past linked to an important textile industry that declined in the 1980s, dates back to the thirteenth century and gives it major importance in an area where significant Jewish life also existed in several nearby settlements, such as Hervás, which has one of the most important and best preserved Jewish quarters in Spain, and Plasencia, also regarded as an important Jewish center in that period.

This Museo Judío de Béjar, located very close to the Ducal Palace that once housed the Dukes of Béjar, invites us to learn about a past so closely tied to our heritage and identity that it is worth visiting, knowing, and learning a little more about our distant and also close origins, since without understanding our rich history we cannot understand the present. For all these reasons, these lines invite you to come to Béjar and learn something more about our history in this small museum, yet one great in knowledge, the Museo Judío David Melul.

Centro Sefarad Israel

Centro Sefarad-Israel is a Spanish public diplomacy institution created as an inter-administrative consortium to serve as a bridge between Spain and the Jewish world. Established on 18 December 2006 through an agreement involving Spain’s Ministry of Foreign Affairs (together with the Spanish Agency for International Development Cooperation, AECID), the Community of Madrid, and the Madrid City Council, it operates with a cultural and educational mandate rather than as a religious institution.

Its core mission is to foster knowledge of Jewish culture in Spanish civil society, with particular attention to Sephardic heritage as a living component of Spanish culture. In parallel, the institution promotes dialogue and cooperation between Spanish society and Israeli society through mutual cultural knowledge, and it maintains collaborations with Sephardic communities worldwide. This mission is pursued through a steady public program that typically includes lectures, seminars, concerts, book presentations, temporary exhibitions, and film screenings, delivered both onsite and through online formats.

The center’s headquarters are located at Calle Mayor 69, in Madrid’s historic core, within the Palacio de Cañete, a municipal property on the Calle Mayor whose Herrerian-style façade and corner towers have shaped the streetscape since the seventeenth century. Municipal documentation regarding the move to this building often uses the earlier institutional name “Casa Sefarad-Israel.” A 2009 protocol between the Madrid City Council and Spain’s Ministry of Foreign Affairs formalized the installation of the institution’s headquarters in the palace, associating the site with exhibition spaces, a conference room, and library-related services designed to support public access to Jewish and Sephardic cultural knowledge.

A further expansion of its public-facing infrastructure took place through cooperation with the city’s library network. Following a 2021 agreement published in Spain’s official state gazette, the center deposited a specialized collection of 400 titles on Jewish themes, enabling the creation of a dedicated and clearly identifiable section within the Biblioteca Pública Municipal Iván de Vargas. This initiative, publicly referenced as the “Biblioteca Centro Sefarad-Israel / Isaac Revah,” reinforced the institution’s educational role by integrating a curated Judaic and Sephardic collection into a broader municipal public library system.

Holocaust Victims Memorial

This municipal memorial, officially titled A las víctimas del Holocausto (“To the victims of the Holocaust”), stands in Parque Juan Carlos I, beside the Garden of the Three Cultures and next to the Vergel de los Granados, also known as the Jewish Garden. It was created as a public tribute to the victims of the Nazi Holocaust during the Second World War and emerged from a formal agreement between the City of Madrid and the Jewish Community of Madrid, approved by the municipal plenary in 2005.

The monument was inaugurated on 15 April 2007 in a ceremonial act attended by the Mayor of Madrid (Alberto Ruiz-Gallardón) and representatives of the Jewish Community of Madrid, as well as other civic and diplomatic figures. The City of Madrid presented it at the time as the first Holocaust memorial monument erected in Spain.

Description and symbolism

The memorial is a conceptual sculptural ensemble whose dominant element is a vertical, abstracted projection of the Star of David, formed by multiple triangular steel prisms arranged around a central hexagonal core. The formal description notes Hebrew inscriptions on the central structure and a set of perforations that reinforce the symbolic geometry of the composition.

The star rises from a stepped, star-shaped platform clad with weathered wooden railway sleepers, explicitly referencing the deportation trains associated with the extermination process. Two additional components flank the platform: a semicircular arrangement of 44 vertical railway sleepers, evoking a field of gravestones, and a schematic yet expressive figure of a father holding a dying child, also built from wooden sleepers.

A corten-steel pedestal along the approach bears a bronze commemorative plaque. Its inscription dedicates the monument to the victims of the Holocaust, “in memory of the six million Jews murdered during the Shoah,” and also remembers Spanish victims, Roma victims, and others murdered in the Nazi extermination camps. The plaque includes the inauguration date alongside the Hebrew calendar date 27 Nisan 5767.

Official records describe the main element’s dimensions as 10.00 x 1.50 x 1.50 m, and identify the work as municipal property. Press reporting at the time also noted the monument’s approximate height (10 metres) and weight (around four tonnes), and credits the project to sculptor Samuel Nahón (Samuel Nahón Bengio) with architectural design by Alberto Stisin.